![]() Like “Smith And Jones”, it’s very fast-paced and it’s constantly throwing new world-building information at the audience rarely sitting still for long, but not racing along so fast that is threatens to overwhelm the viewers. “Gridlock” is also one of those episodes that’s very compact and really tests the forty-five minute format of NuWho. As a writer, Russell is always at his best when he’s letting some of his inner cynicism bleed through into his episodes, delving into some dark themes and some social commentary about human nature, which gives episodes like “ The Long Game“, “ Bad Wolf” or “Gridlock” their substance. ![]() The idea of the Doctor sorting out the world’s largest traffic jam in space sounds really goofy on paper, but in practice it’s surprisingly tense, and at times, rather sad. “Gridlock” is the most melancholy and introspective episode we’ve had in a while – commenting on faith, redemption, people turning a blind eye to their fears, and humanity’s ability to always persevere through adversity – which makes it an interesting contribution from Russell T. While they’ve all had their fleeting moments of sadness and pensiveness, all of the episodes in Series 3 (“ The Runaway Bride“, “ Smith And Jones“, and “ The Shakespeare Code“) have been fairly lighthearted and adventurous, running on adrenaline and sharp humor. “Gridlock” stands out as a different sort of episode than we’ve had so far since “ Army Of Ghosts / Doomsday“. Davies has been writing since the Doctor Who revival began, taking us back to the year five billion one last time to wrap up some storylines about humanity’s distant future. “Gridlock” is also the final installment of a loose ‘New Earth’ trilogy that Russell T. After showing off the power of the TARDIS and taking us to Elizabethan England for a good romp in the last episode, Doctor Who rounds out its opening trilogy of episodes for Series 3 with “Gridlock”.
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